Kid

[[image:Batman-Robin-Photograph-C12150175.jpg align="right"]]
This is a comical monologue, spoken by Robin the Boy Wonder, sidekick to Batman, the Caped Crusader of Gotham city, in the comic strip, TV series and various feature films.

The form of the poem matches its humour - every line ends with the unstressed “-er” syllable, leading naturally in the final line to “the real boy wonder”. (Where the lines rhyme, as most of them do, either with half or full rhyme, it is called a double or femininerhyme.) As the similar line endings accumulate, the reader wonders how the poet will keep it up. On the page, we can see this, but the poem is ideal for spoken performance, as the listener tries to guess what is coming next. Perhaps, when we finally hear “boy wonder”, we will not be totally surprised, since mention of “Batman” may have put it into our heads. The rhythm (basically trochaic with occasional dactyls - this is the metre used famously by H.W. Longfellow, in his American epic Hiawatha) accentuates the final word. It places a heavy stress on the last-but-one syllable: “order”, “wander”, “yonder” and so on, so we cannot miss the effect.

Armitage imagines that Batman has separated from Robin, who has succeeded without him, and now gives away some of the hero's secrets - “scotched” the “rumour”, “blown the cover” and “let the cat out”. Having spent his earlier years as Batman's “shadow”, Robin has succeeded on his own, while Batman is bored and barely able to fend for himself (no food in his outsize “larder”).

As a poem that sends up Batman, this is a light-hearted and amusing piece. Perhaps Armitage is making a slightly more serious comment about heroes and icons generally - that they do not live up to their reputations, while they depend on others for their continued success. Among humorous features of the poem we find:


 * Scandal or bad taste - the report of Batman's adventure with a married woman
 * Punning - for example “caper” (which suggests Batman's and Robin's capes, and Batman's nickname of the Caped Crusader) or the word association of “robin-redbreast-nest-egg”
 * Parody - using Batman's favourite adjective “holy” in extravagant noun phrases
 * Incongruity - Robin's using British slang (“motor” for the Batmobile), naval jargon (“wander leeward”) and referring to “jeans” and a “crew-neck jumper”
 * Self-ridicule - mocking the superhero outfit, the “off-the-shoulder/Sherwood-Forest-green and scarlet number”
 * Bathos - Batman's near-empty larder - showing how he used to rely on Robin to shop for food (not something mentioned in the original stories)

In thinking about this poem, you might like to consider

Alternatively, you could write your own comic monologue by a sidekick dishing the dirt on a more famous hero (Tonto on the Lone Ranger, say or Little John on Robin Hood).
 * whether it is about Batman specifically or all heroes (and heroines)
 * what other icons might deserve this kind of ridicule